Film Fetish: "Dreams"

Dreams (1990)
- directed by Akira Kurosawa


A collection of eight short, self-contained films inspired by the dreams of visionary director Akira Kurosawa.

Of all the films that were on my list to watch during my Kurosawa retrospective, Dreams was the film I most looked forward to watching. It was during the time I first conceptualized my own Dream project that I learned of Kurosawa's. It was one of those things, a sign. Having worked primarily in black & white I was hesitant about experimenting with color, that I would also be sharing something as personal to me as my own dreams paled in comparison to that initial fear. I'd always been a fan of Kurosawa but it wasn't until I learned of Dreams that I felt a true affinity for the artist. In my mind he existed in the old world of classic black & white cinema. I remember first seeing the cover/poster work for Dreams and feeling things click. I remember the color most of all; the dichotomy between old and new. I was instantly drawn in and had to see this film. But I had to wait...

If for nothing else this film is worth seeing for the first short, Sunshine Through The Rain, which just so happens to be the inspiration for the cover/poster artwork of Dreams, it's that good. While the rest of the shorts didn't quite live up to the grandeur of the first, I did find things to take away from each of them. I'd say this film is largely a visual experiment... in that vein I found it to be arresting, compelling, strong and dramatic. There are so many images you'll walk away with after having watched the movie. Unfortunately, given the structure, there's not much to take away in terms of a coherent storyline. In fact, the film is characteristically Asian in that the film provides very little dialogue. It's exactly the film you would expect given the pitch. It's scattered, poignant, visual, meditative and mysterious. Certainly Kurosawa's most artistically experimental film to date. I loved this film through and through.


8.5/10 In my opinion, Kurosawa's most visually arresting film. A film for the art set.


DS333, greatly impressed.